By —91 Goa was beginning to attract attention and had become a popular destination for partying. As the scene grew bigger, Goa-style parties spread like a diaspora all over the world from Parties like Pangaea and Megatripolis in the UK helped spawn a multitude of labels in various countries U.
Australia, Japan, Germany to promote psychedelic electronic music that reflected the ethos of Goa parties, Goa music, and Goa-specific artists, producers, and DJs. The Exclusive Freestyle - Dj Scene - Any Day All Day (CDr) age of the first wave of Goa Psy Trance as a generally agreed upon genre was between — Goa trance enjoyed its commercial peak between and with media attention Exclusive Freestyle - Dj Scene - Any Day All Day (CDr) some recognised names in the DJ scene joining the movement.
This hype did not last long and once the attention had died down so did the music sales, resulting in the failure of record labels, promotion networks and also some artists. On the back sleeve of the album at the bottom of the notes, R. While the genre may have been incubated in the goa trance scene it went on to proliferate globally. Psychedelic trance has a distinctive, energetic sound that tends to be faster than other forms of trance or techno music with tempos generally ranging from to BPM but some psytrance songs can also reach BPM, bpm, bpm and even bpm.
It uses a very distinctive bass beat that pounds constantly throughout the song and overlays the bass with varying rhythms drawn from funktechnodanceacid houseeurodance and trance using drums and other instruments. The different leads, rhythms and beats generally change every eight bars. New layers will continue to be added until a climax is reached, and then the song will break down and start a new rhythmic pattern over the constant bass line. Psychedelic trance tracks tend to be six to ten minutes long.
Dark psychedelic also dark psytrance or darkpsy or dark-trance trance is the heavier end of the psychedelic trance spectrum with tempos around bpm and over. Related styles include psycore fast and crazyhi-tech bouncy and glitchyand forest organic and earthy. Characterized by having obscure, deep, and more eschatological background that leads into profound meditation of death, night, and transcendence, often with dismal sounds and heavy basslines.
The subgenre often samples horror films in contrast to the science fiction film samples more regularly used in "normal" psytrance. The German artist Xenomorph, Mark Petrick, is considered a pioneer of dark psytrance, with his album Cassandra's Nightmare released in being a major influence on the subgenre; X-Dream's Radio is another album cited as an early influence.
Full-On trance is a psychedelic trance style that is particularly popular in Israel. There are some related styles that are derived from this style and are distinguished as different varieties of Full-On: twilight and night full-on or dark full-onhaving bolder and lower notes in their basslines, morning light and kind of happyand uplifting.
Prog-psytrance is among the common party themes, normally played during the afternoon or on a different stage. It has grown in popularity since the mids to the point where it is often also labeled "psytrance". Artists working in the genre are Astrix and Protonica. Psybient short name of psychedelic ambient is a style of electronic music that contains elements of psychedelic trance, ambientdowntempodubworld musicnew wave and ethereal wave.
Like psytrance, it emphasizes on-going rhythm and beatmatching. However, it is more lenient to beat changes than its parent genre, in the interest of generating interesting soundscapes. The origins of this genre is from the trend of goa and psytrance artists ending albums with slower, "chillout" tracks. Shpongle 's release, Are You Shpongled? Suomisaundi English: Finnish sound; also known as spugedelic trance or freeform psy is an innovative variety originating in Finland during the mids.
Popular artists and groups include Luomuhappo and Texas Faggott. Zenonesque is a style of psytrance which is any psytrance that has characteristics of Zenon Records signature sound. It is often deep, dark ambient sounding with a lower tempo. It can include elements of techno. Large psytrance festivals are both culturally and musically diverse. Earthdancethe world's largest synchronized music and dance festival for peace, has its roots in the psychedelic trance scene. The Boom Festival in Portugal was originally a psytrance festival but now includes world music.
It is held every second year in August and combines social activism with cultural and spiritual elements. In South Africa a number of recurring long running psytrance festivals take place such as the Alien Safari, Vortex and Synergy festivals. In Australia there are many long running psytrance festivals, known Exclusive Freestyle - Dj Scene - Any Day All Day (CDr) "doofs" such as Rainbow Serpent Festival, Esoteric Festival, New Psycle and Earthcore now discontinued.
In Europe there are a magnitude of psy-centred festivals; O. A festival in Hungary is an arts centered festivals with roots to get in touch with nature and yourself. Psytrance is prominent here.
In research was conducted on the global psytrance scene. In Graham St. From Wikipedia, the free encyclopedia. Genre of electronic music.
Trance Psychedelia Goa trance  Eurodance dream trance  hard trance acid trance  techno New beat psychedelic rock Acid rock Indian classical . Drum machine sequencer sampler electric guitar synthesizer keyboard. See also: Goa trance. Inavon "" TubaSteve "The Rainbow God" Square Punch "Thundercat" His inquiries led him to a man by the name of Grand Master Flash.
Only this time it was Latino kids performing on the street—once again highlighting the very real connection between the two urban genres. He was also able to give them a venue to showcase their talent and grow as performers.
I would bring in these artists and give them a shot. TKA did their first show there and La India was actually in the group! I began to book the groups all around, at the Copacabana, etc. Mickey Garcia, owner of Mic Mac Records began as a DJ in the Disco era, but after spinning at places like Studio 54 and the Copacabana, he felt he had what it took to make a successful dance record.
I began feeling like I could write and produce songs that were good or even better than those I played at the club. I have nothing but great memories of all the concerts—we got to travel all over the country. The popularity of the music continued to grow, spreading to Miami and even parts of California, Exclusive Freestyle - Dj Scene - Any Day All Day (CDr).
The music was no longer contained within the Latino community—it had spread to mainstream audiences. Singer Nayobe had the 1 Dance song on every radio station in Florida, surpassing superstars like Madonna and Whitney Houston.
However record companies were still unconvinced that Freestyle was worth an investment. In response, producers like Mickey, started their own independent record Exclusive Freestyle - Dj Scene - Any Day All Day (CDr). Groups like The Cover Girls were going mainstream which caused a problem for record labels, as they were taking airtime away from their signed artists.
Consequently, major labels tried to block certain records from playing on the air. This move should have been the big break that the genre was looking for; the break that would allow them to finally get the fame, exposure and recognition they desired. Exclusive Freestyle - Dj Scene - Any Day All Day (CDr) it would have the absolute opposite effect. This was the first step toward the extinction of Freestyle music from the radio airwaves and from the popular music scene as a whole. Though there are several opinions as to why the movement eventually fell apart—the common thread in all of them was the change in the quality of music that followed signing to a major label.
Many of the releases were not very good songs or productions. Radio saw this and decided to move on. The truth is that there was a perfect storm of factors that led to the demise of Freestyle and the subsequent dilution of the Dance music culture.
In New York City, then Mayor Rudolph Giuliani began a campaign against nightclubs, shutting many of them down and in the same process taking away venues for current and future Freestyle artists.
These actions coupled with the pressure from major labels to create a Pop sound caused enough stress on the genre, but to add even more trouble to the mix was the inevitable corporate hand mixing the perennial pot. Stations and new forums like Music Television MTV had limited their expansion to one form of Urban pop music; and the winner by virtue of sales and nationwide popularity was Hip-Hop. By the end ofthe reign of Dance music, and more specifically Freestyle, had ended.
Dance stations either went out of business or changed formats, and artists were dropped from their labels. As a result, everyone in the genre began to make music again—however to their dismay the stations were not interested in playing any new freestyle releases, and stuck to playing the classics.
However, efforts were made to take the Latin influence in Dance music to another level. In perhaps one of the most successful attempts to do so, Cutting Records focused on blending forms of Latin music, like Merengue with Dance. Unfortunately for many of the original Freestyle artists, the deals they made with record labels were coming back to haunt them. The only way they got paid was by performing. DJ Rio Lopez is a part of a current generation of freestyle enthusiasts who like many, grew up listening to the music.
Both a DJ and the host of a digital radio program—he attempts to give new life to Freestyle by bringing the music into new media and organizing platforms for artists to perform. Though many have moved on to different business ventures, they remain loyal to the passion that drove the Freestyle movement. Carlos Berrios continues to create music, but has since moved on to ventures in Film. A current project of interest is a documentary on the contributions Freestyle made to dance music.
In the end, though freestyle artists had enjoyed success in their markets and created chart-topping hits, their songs were dropped from rotation and their videos denied airplay on MTV.
Extra Portion Milch - John McAsskill - Lallmonologe (CD), Need - Gavin DeGraw - Make A Move (Vinyl), Stenka Rasin - Orchestre Des Balalaikas Russes* - Les Balalaikas DUkraine (Vinyl, LP, Album), Sitting Round At Home - Buzzcocks - A Different Kind Of Tension (Cassette, Album), Youre Driving Me Crazy - Billie Holiday - Lady Sings The Blues (Vinyl, LP), Began At The End - Carter Little - Dare To Be Small (CD, Album), Disc 123 - Track 12 - Brian Ladd - Tramps (CDr, Album), When You Wore A Tulip (And I Wore A Big Red Rose) - Various - Tea For Two 20 Classic Duets (Cassette, Quiet These Paintings Are - Various - Spikefarm Sampler (CD), People From Ibiza - Various - The Best Of Italo Dance Classics Vol. 2 (Cassette)