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Bittersweet July Bittersweet July, Pt. The Cataracs Far East Movement. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Maurice In The Dark Of Day - Sub Level 03 - Undercover (CD even though he did not play on the soundtrack— or so he believed. He thinks Maurice did not know it, but Jimmie mixed the synthesizer flute into the finished recordings because he liked the sound so much.
The titles, timings, and running order above are from the tape box, which lists Maurice as producer and Dennis Hetzendorfer as engineer. These are the finished tracks for the soundtrack album.
The score for the film itself included different and alternate recordings of the same musical themes. Maurice and Jimmie prepared a soundtrack album that was not released. This score was used for a promotional film for the City of Miami. Jimmie Haskell did not work on this project. Barry and Robin recorded solo albums simultaneously during the first half of With Barry occupying the one studio at Middle Ear, Robin was bumped to the friendly confines of Criteria, where the Bee Gees had worked on many albums.
A detailed list by recording dates would keep jumping between sessions by Barry and Robin. Robin and Maurice continued the old Bee Gees tradition of making it up in the recording studio. There are no demos. Assistant engineer Richard Achor recalled years later that the two brothers came in with only ideas for songs. Robin was constantly writing lyrics and trying them out.
Sometimes they set up drum and synthesizer grooves first and both worked out a song from that. The first songs completed, or at least the first copyright registrations, were the two tracks on the first single. As expected the songs have clear verse-chorus structures. Robin said that he was writing story songs. His voice overall is lower than on How Old Are Youbut it is still hard to understand the words.
You could take it either way. A week later, two more copyrights, for what would become the second single, after the album was released. Another week, three more copyrights. Barry contributed something to two of these songs. This album is all heavily electronic music, relying mostly on multi-layered keyboards and with all the bass and drums played on synthesizers. It has a hard, cold sound relieved solely by some guitar and the vocals. Robin had long been interested in this sound and Maurice was a Album) accomplice.
The album is short at just nine songs, and yet it is perhaps too long. As noted above Barry In The Dark Of Day - Sub Level 03 - Undercover (CD his album during the same time that Robin recorded his album with Maurice. It was recorded at Middle Ear, except the string sweetening on a few tracks which was done at Ocean Way in Los Angeles. Recording was probably done by May in order to allow for filming the audio-visual version of the album.
Filming was in progress in August. The audio-visual version could be described as music videos strung together with a storyline. The film was directed by Storm Thorgerson, a veteran of the young music video industry and one of the graphic designers in Hipgnosis.
Barry played the protagonist, with British actor Michael Hordern as his elderly guide through a confusing world between life and death, set in the Victoria Baths, Manchester. What would solo Barry sound like? Barry sings with a mannerism he would repeat on some of the other other songs, spitting out the words in a way that makes the lyrics hard to understand. The verse meanders and has his trademark cut-off lines, very much Barry, not Bee Gees. The rhythm track appears once more to be built on a rigid mechanical beat on this and the other songs.
The longer version has more of the chorus ending. The musical question on Now Voyager is whether Barry can construct the complicated song layouts he was In The Dark Of Day - Sub Level 03 - Undercover (CD to prefer and still deliver enough pop song hooks to make the songs work.
The song is packed with musical ideas. Barry even risked a rap section. This duet is almost an Olivia Newton-John record with support from Barry. Olivia was an MCA artist, so the duet could be a promotional move, but Barry had worked well with her before and it may have been his own idea. This ballad contrasted with the first two songs. It makes a little more sense in the storyline. In a way it does not fit and could have been dropped for that reason.
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