Columbia Halle boasts some of the best acoustics in Europe and its dazzling lightshows make for a multisensory musical experience. For a little slice of earthly paradise, spend your night at Circolo Degli Artisti.
The club promises an experience that is alternative both in its atmosphere and location, with ancient Roman walls enclosing the club's two dance floors and a sprawling series of green gardens, gazebos, and even a swimming pool. Whether you're dancing, drinking or flirting your way through the garden, Circolo Degli Artisti is full of temptations just like Eden, with a risk of getting booted only if you Album) the bouncers.
One of the best places to catch concerts in Amsterdam is at a beautiful 19th-century church that's been converted into a massive venue and nightclub. Paradiso attracts some of the biggest pop, rock and electronic artists in the world and the acts that have graced the stage here read like a history of the Grammy Hall of Fame.
For more articles and reviews, go to Party Earth. News U. HuffPost Personal Video Horoscopes. Newsletters Coupons. Extended biography in English and German here.
Matthew Dotson spent many years of his life fiddling around with tape machines and rusty garbage in the sleepy town of Sycamore, Illinois before acquiring an undergrad degree in Media Studies from Northern Illinois University.
James Phelps. Artist Statement: "Most of my early computer work was chaotic and largely directionless until I rediscovered hip hop in the form of some old Public Enemy tapes.
I had flirted with the notion of sampling before this, but hip-hop opened me up to the possibility of creating dense textures with layer upon layer of loops while simultaneously keeping it grounded enough to dance to. This helped sharpen my focus from creating a whole environment to creating fragments and layering them on top of one another.
Thus, what resulted was a series of densely layered loops of my own and others music that was not only textural, it was danceable. Dickie Beats is the musical manifestation of Donnie Bauer. Donnie is a digital artist based in Chicago, Illinois. After years of studying experimental electronic media, Donnie began numerous projects just exploring new soundscapes and collages.
In Dickie Beats was born. Trying to withhold the idea of original textures and atmospheric soundscape, Dickie Beats is based around hip hop rhythms and buzzing synth melodies.
Dickie Beats is dripping with computer glitch, live instrumentation, juicy samples, and found sound. Materializing in this sphere around in Detroit, Michigan, This ill specimen was a prototype.
Absorbing the last few years of Iggy Pop and the Stooges along with George Clinton and the Funk Mob, little Eyes headed to the suburbs with his family in As the 80's became the 90's, he was inevitably sucked into Detroit's psyche reformatting rave scene and beyond.
Stop looking back Songs are constructed using a Prussian indexing system developed for the cataloging of omnivorous wrens in the upper topiary of the eastern taiga.
Variables from column A are cross referenced to a randomly decided originating point; based on the number of connections that derived from point A to point B are then expressed using a resistance bloc functioning as the footnote numbering as expressed in Appendix A for variables expressed higher than 23, Appendix B functions as a number base. The resulting character string are reverse cataloged to a wren species, and the genus of that species then forms the encompassing theme of movement 1.
The process is then repeated until movements are mapped. Using this mapping system the progression of the piece is mapped on a line graph, with the X serving as a function of time while Y serves as a function of velocity. Then four musical notes are chosen. Each one is played by rhythms generated by the "Catalog of Beasts on the Lower Steppe" see 8.
Glossolalia is the work of one human, using one computer and sounds from everywhere. Focused on timbre, on rhythm and polyrhythm, on process, on the nature of psychedelic music, on finding music that expresses that which cannot be expressed elsewise, on the relationship between live performance and electronic composition. My music is built in ways that suggest and refer to this emergence. Is it possible for a piece of music to itself become conscious in some odd way, on some punctuated time scale,dependent for embodiment on computers and sound systems as our minds are dependent on the wetware of our brains?
We're already beginning to see music that can adapt and evolve in response to its environment. As the boundaries between music and software continue to blur, we Album) begin to imagine music that can attain sentience. We're not there hence "Quasi" -- but we're taking the first steps. What you do know is that it's very likely going to be something unique and interesting. Mike got his professional start as a producer while studying various recording techniques at Salt Mine Studios in Tempe Arizona.
During his tenure at daytrotter Mike recorded hundreds of bands. Jim Phelps was a composer, guitarist, and professor from the Chicago area. He traveled extensively, especially throughout China, and absorbed various Asian cultural "sensitivities" into his own, Western music.
He performed his music throughout Asia, Europe, North America and the Caribbean and his music is represented on five recording labels. Jim left us inand he will be sorely missed by his friends, colleagues, and former students. He was always an inventive and passionate artist and teacher. Konrad is the American song constructionist Jeffrey Konrad who puzzles together his unique brand of vocal poetics with a sorted sonic DNA that exhibits strains of indie, folk and electro.
In the past he's recorded as an experimental electronica musician known as "Robot USA" as well as one half of a folksy duo known as "Struggle In The Hive" recorded with Daytrotter founding engineer Patrick Stollety.
In mid Konrad launched Radical Turf Records; an imprint he founded with the intent of releasing compilation albums by underground electronic artists. Konrad's debut album "Loose Canyons" was released on Radical Turf in Konrad's new album "Artbreak" is available August 11th Loose Canyons Shadow Boxing Artbreak. For nearly 10 years Dane Paris AKA Lens has been writing, recording, and producing original electronic music with a passion. His music is an eclectic mix of drum and bass, trip-hop, experimental, down tempo, IDM, film music, ambient, and jazz.
His typical Punk rock roots took a turning point when he got his first drum machine. It was at that point that he began experimenting with analog tape decks, tube amps and casio keyboards. His producing craft was born. Lens spent some time studying film and music at Ohio University and immersed himself in MIDI composition while attending.
Four recording sessions documented over the course of six years. A few dozen tracks were catalogued, all in various stages of completion. The songs are highly experimental, often completely improvised. The tempos, styles and textures varied from track to track and occasionally utilized obscure samples from sources such as 's disco records, answering machines and the field recordings of a Save-A-Lot store.
All of the songs have a heavy electronica undercurrent. Artist Statement: "Light Body Vehicle is the striving balance of the organic and inorganic: drum machines, wooden flutes, analog synthesizers, classical guitars, samplers, vocals, turntables and a slew of other sound sources.
Turning planet Earth into a drum kit, LBV isn't afraid to sample the construction crew off the street or the softest whisper of the trees. Around the Chicago area marinelli Ted Apollo is currently studying, performing, and teaching music.
The roots of Maximillian X stretch back to high school when Rob began experimenting with combining songs on tape via low-fi splicing. Layered beats, dark swells, Talkover - Central Europe Performance - Breakfast In The Ruins (CD eerie soundscapes define much of the essence of Mr, Album).
Dunn's style. To a small extent, the increasing difference among the Powers over the issue of how peace could be maintained led to the downfall of the Concert of Europe. The great variety of thoughts of countries did contribute to the collapse of Concert of Europe to a certain extent. Nonetheless, this was not that a dominating factor since it was only generated from the self-interests and jealousies among countries. Britain and France were democratic liberals while Austria, Russia and Prussia members of the Holy Alliance were the absolute autocracy.
The former ones supported non-intervention while the latter ones were prone to support intervention to deter the spread of new ideas as well as revolutions. Different interpretations of how peace could be kept among them soon led to the collapse of the Concert of Europe.
The disappearance of common enemy—France and the withdrawal of Britain also led to the disintegration between countries. They no longer had the initiative to work together owing to the loss of initial motive and the leader of it. The internal organization also attributed to the fall of the Concert of Europe. Loose arrangement of congresses based on ad hoc basis failed to create a strong foundation for further cooperation. This is the reason why increasing difference between them over the issue of how peace could be maintained was triggered.
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